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The Age

'Kristian Chong is a pianist of impressive talent and sensitivity...'

'...a true chamber musician at work...'

Limelight Magazine

'The soloist, Kristian Chong, was nothing short of brilliant, giving a heartfelt performance of extraordinary beauty and sensitivity with finely controlled expression, tempi and touch.

The Adelaide Advertiser

'This was playing with finesse and strength in the best proportions' -

UPCOMING CONCERTS

THURS 12 AUGUST 2021

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WED 12 JUNE 2024 - 7pm

 

BEETHOVEN - Sonata for Piano & Violin Op.30/3 in G

STRAUSS -  Sonata for Violin & Piano Op.18

Sulki Yu is the brilliant new concertmaster of Orchestra Victoria and was a prize-winner of the 2006 Yehudi Menuhin and 2007 Szigeti-Hubay International Violin Competitions. A very highly respected and astounding violinist, she debuts in Kristian Chong & Friends in two breathtaking works; Beethoven’s delightful and playful Op.30 No.3 Sonata is paired with the extraordinary, luscious and triumphant Strauss Sonata, one of the most glorious violin & piano works of all time! A performance that guarantees a highly charged emotional ride for all.

PRIMROSE POTTER SALON, MELBOURNE RECITAL CENTRE, AUSTRALIA

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SUN 16 JUNE 2024 - 2pm

BEETHOVEN - Sonata for Piano & Violin Op.30/3 in G STRAUSS -  Sonata for Violin & Piano Op.18

A repeat of Wednesday's concert at the Melbourne Recital Centre, in the Yarra Valley. This concert is presented in association with the Yarra Ranges Council in partnership with the Melbourne Recital Centre.

THE MEMO, HEALESVILLE, AUSTRALIA

THE

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FRI 21 JUNE 2024 - 110pm

ELDER HALL LUNCH HOUR SERIES

SOPHIE ROWELL (violin)
KRISTIAN CHONG (piano)
 
SCHUBERT - Sonatina for Violin & Piano in G min, D384
Paul STANHOPE - Agnus Dei (After the Fire)
RAVEL - Sonata for Violin & Piano No. 2

In this charming sonata (now usually called a Sonatina) the nineteen-year-old Schubert appears to have been channelling the style of Mozart rather than that of his contemporary hero, Beethoven. The silent desolate landscape of Stanhope builds to an intense climax before returning to a renewed and altered form of stillness, and we conclude with Ravel’s highly original work in which he accentuated what he considered to be the essential “incompatibility” of the violin and piano, using new-to-Paris American blues and jazz inspirations.


 

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